Finally! Been meaning to blog for the past two weeks, but just haven’t been able to push it up on the priority list. Anyway, no time like now – i guess…
I finished my first one month of work at the new place — and i must say that i am growing fond of the place (i still have to discipline myself to get to work on time – thats been a tough one). The workload comes in unexpected chunks and then dissipates indefinitely – kinda like the rain in this part of the world really…
Am back into the circuit training routine at my gym and this time Faisal made sure to introduce me to Mr.Atkins.
‘Hello Mr.Atkins – how are you ?’ said i
‘hmmmppphh – you wanna lose those extra bits around the waist is it?’ says he whilst peering over me intimidatingly.
‘err… well… er… i was thinking.. maybe…. er .. if i… could just have one of em pills that would turn me into braddpitt?’ said i cheekily
‘mmmm…. sorry… no stock.. but here is the next best thing..’ he said as he gestured me to listen carefully ‘ppsst pssst psst. rr..sss … got it ??’
‘WHAT? no carbs and no sweets for the next 13 weeks !!!!’ i shrieked..
Guess what? … i bit !
lets see how it goes – can’t be all that bad, and if it is – Mr.Atkins may have just reserved a tiny cozy spot for himself next to the likes of Mr.Murphy on my hitlist.
Been reading the articles in the ‘Bidoun Magazine’ lately (which i highly recommend for any artist who is interested in producing meaningful crosscultural art pieces). The magazine is a visual delight and it offers sheer thrill to see such exciting layout design being produced in the middle east.
Historically, The Iranians have been notoriously famous for their modern designs and calligraphy. Amongst the interesting reads in this issue are the articles that focus on Arabic Calligraphy and the Definition of Islamic Art. In the former, an intersting point is made in the study of Reza Abedinis work is:
‘The text becomes the image, a visual element to be seen and understood intuitively, rather than read and understood intellectually. These are distinctively cluttered compositions, in which the Farsi-style lettering does not necessarily act as a neutral support to the image, but blends with the images to create a tightly woven fabric that occupies the space of the poster like a self confident monument’ (Bidoun, Issue2, page32 by Huda AbiFares)
Here are some of Abedinis work – http://www.rezaabedini.com/works/poster.html
truly a visual treat.
The other article about islamic art and its definition is way too exciting to brief up in this post and because its a topic that is very close to my heart – i’ll talk about it sometime else.
The cover of Bidoun featured a beautiful hand rendered photograph that got me up and going. For a while i’ve been wanting to digitally color a black and white image of mum and dad that has been sitting on the dresser.

Thats an image of mum and dad taken precisely two years before i was born.
Ofcourse, the image was not in colour and placing it in the polaroid later was just me being cheeky and having a little fun with contradiction – the personal touch you seeee……*wink* you like?.
With a basic knowledge of Photoshop, this effect is relatively easy to achieve – you just have to trust your eye with levels, brightness, contrast, blurs and hues. The tools that you end up using the most throughout the entire process are ‘dodge, burn and blur’. I personally found that blurring out the grains on the image helps a lot to get a smooth finish ( i like to think of it as the effect that the water in reality would have on the pigment of the photograph, making it smear, smudge and blot a little in every direction giving it a soft airbrushed look). Since it was originally a tedious manual process, a very important practice needs to be the respect of subtle imperfections that any handmade process is bound to succumb to. While coloring the photograph, make sure to bleed out a little here and there… with reason and limits ofcourse ;P
I would love to hear if anyone has more tips and tricks up their sleeves for such similar treatments. Makes me wonder though how films like Mughal e Azam may have been digitally colored…
Was every frame treated the way i treated this image? that would be insane.
It took me 8 hours to do one image..eeeks…….
Mughal-e-Azam to return to big screen after 44 years
http://www.indiaexpress.com/news/entertainment/20041031-0.html